Formed in 1994 in Austin, Texas, Fastball combined a fondness for melodic, Beatles-inspired pop with the alternative aesthetic of late-’90s mainstream rock. Guitarist/vocalist Miles Zuniga, bassist/vocalist Tony Scalzo, and drummer Joey Shuffield — all veterans of Austin’s underground rock scene — originally banded together under the name Magneto U.S.A. After signing with Hollywood Records, the musicians changed their name to Fastball and released their debut album, Make Your Mama Proud, in 1996. The album demonstrated the band’s synthesis of modern flavor and bygone pop hooks, a combination that would later launch Fastball into the mainstream.
The follow-up effort, All the Pain Money Can Buy, appeared in early 1998, featuring a considerably tighter band and more pop flourishes. Although the bandmates were still working side jobs at the time of its release, lead-off single “The Way” proved to be a meteoric hit, topping the American rock charts for seven weeks while enjoying crossover success as a pop single. “Fire Escape” and the piano-fueled “Out of My Head” did similarly well, and All the Pain Money Can Buy went platinum within six months of its release, earning two Grammy nominations along the way. Fastball celebrated their success with a considerable amount of touring, including shows alongside Marcy Playground and Everclear.
The Harsh Light of Day arrived in fall 2000, featuring piano work by Billy Preston and an increasingly arty sound, including the Top 40 hit “You’re an Ocean.” Fastball eventually left the Hollywood roster in favor of a new deal with Rykodisc. A retrospective compilation, Painting the Corners: The Best of Fastball, marked the band’s final release for Hollywood Records in 2002. Two years later, they resurfaced with Keep Your Wig On, having fully embraced their power pop roots with the help of co-producer Adam Schlesinger. The album strengthened Fastball’s work ethic, with frontmen Zuniga and Scalzo writing together for the first time. That collaborative spirit helped fuel another album, Little White Lies, which appeared in 2009 to warm reviews.
After several years of focusing on live work, Fastball returned to the studio in 2015, recording in their hometown of Austin. The project emerged in May 2017, a self-released album titled Step into Light, and the band supported it with an extensive tour of the United States and Canada. The following year, Fastball celebrated the 20th anniversary of All the Pain Money Can Buy with an expanded edition of the 1998 album; they accompanied the reissue with a hometown concert in Austin, Texas.
Most recently, in October 2019, Fastball returned with The Help Machine, an album produced by Steve Berlin of Los Lobos, and in Sept 2021 and throughout 2022 have been releasing music exclusively though Patreon. Their new album, The Deep End, is being released on June 17, 2022.
Greg Antisa and The Lonely Streets
Greg Antista and the Lonely Streets are a rock ‘n’ roll quartet with deep roots in the Southern California rock scene. New Noise Magazine described them as “A stellar four-piece who play perfectly-crafted three-minute pop songs that owe just as much to Johnny Cash as they do The Adolescents,” while the Morton Report wrote “This band is pulling out all the stops to keep the punk tradition alive, and they do it with enough props to power pop and other rock offshoots that it’s a glorious mix no matter what it’s called.”
Although frontman Greg Antista has known each of his band members for decades, The Lonely Streets have only been in existence since 2018. The band features Antista (lead vocals, songwriter, guitar), Frank Agnew (lead guitar, vocals), Warren Renfrow (bass, vocals), and Jorge E. Disguster (drums, vocals). The members’ previous group affiliations are extensive: Greg (Joyride, Foxy), Frank (Adolescents, Legal Weapon, T.S.O.L.), Warren (Cadillac Tramps, Manic Hispanic, Final Conflict, and tours with Adolescents and The Damned), Jorge (Mr. Mirainga, Mink Daggers, CoDependents).
In 2019, the band released its debut album Shake, Stomp and Stumble on Primal Beat Records. The album was produced by Paul Miner whose credits include New Found Glory, C.J. Ramone, and Lisa Loeb, among others. In spring 2020, The Lonely Streets returned to the studio with Miner to commence work on a second LP.