Tainted Love

Click here for Tainted Love's website

For 2 decades TAINTED LOVE has been thrilling audiences across the country with their high-energy, over-the-top renditions from the treasure trove of pop music known as the 1980’s. Their show delivers something for every fan of music: pulsing dance beats, fist-pumping rock anthems, and guilty-pleasure sing-alongs, all performed with the highest level of musicianship and state-of-the-art sound and lighting.

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General On Sale: Friday, August 8th @ noon

Venue Presale: Thursday, August 7th @ noon

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Best of the SF Comedy Competition:

Frankie Marcos (winner. 2024 San Francisco Bay Area Comedy Competition)

Shaheen Khal (runner-up, 2024 San Francisco Bay Area Comedy Competition)

Marcus Howard (third place, 2024 San Francisco Bay Area Comedy Competition)

HOSTED BY Maureen Langan (past finalist who appeared on “America’s Got Talent” last year).

Doors - 6PM // Show - 7PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com.

Petty Theft - San Francisco Tribute to Tom Petty and the Heartbreakers

Click Here for Petty Theft Website

Click Here for Petty Theft Youtube

At the forefront of legendary Rock and Roll bands, you are sure to find Tom Petty and The Heartbreakers. In early 2003, Petty Theft was born as a classic rock cover band, performing all around the San Francisco Bay Area to great responses and growing audiences. It became clear that this project should focus on the great music of Tom Petty and the Heartbreakers and quickly progressed to regular touring in and out of the Bay Area and out of California. Petty Theft has the same lineup of six musicians as the legendary Heartbreakers and they perform Tom Petty’s songs true to the originals, in the spirit of the Heartbreaker’s live shows.

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2 x 60-minute sets

General On Sale: Fri, 8/30 @ 12pm PT

Venue Presale: Thur, 8/29 @ 12pm PT

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Better Than Ezra

Click here for Better Than Ezra Spotify

Click here for Better Than Ezra Website

For over 35 years, alt-rock icons Better Than Ezra have maintained a direct line to the unbridled joy of making music, endlessly dreaming up songs with an uncanny power to linger forever in the listener’s heart. Since the arrival of their breakthrough album Deluxe—a platinum-selling LP featuring their era-defining smash hit “Good”—the New Orleans-bred band’s bittersweet but quick-witted songwriting and supremely catchy sound have led to triumphs like landing on Billboard’s “100 Greatest Alternative Artists of All Time” and “100 Greatest Alternative Songs of All Time” lists, building an adoring following who call themselves Ezralites, and achieving major pop-culture milestones like getting name-checked in a classic skit on Saturday Night Live. Their first album in a decade, Super Magick ultimately sets Better Than Ezra apart from legions of legacy acts and reveals a band more enchanted than ever with the sublime alchemy of truly heartfelt rock-and-roll.

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General On Sale: Friday, August 2nd @ 10AM

Venue Presale: Thursday, August 1st @ 10AM - 10PM

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

John 5

Click Here for John 5 Website 

Click Here for John 5 Spotify 

For almost 30 years, John 5 has been one of the most in-demand guitar players on the planet. As well as a guitarist for hire, 5 has shared the stage as axe-man for Rob Zombie, Marilyn Manson and Rob Halford. He has also worked with an impressive array of names, from all walks of music, including KD Lang, Rod Stewart, Dave Lee Roth, Alice Cooper, Tina Guo and Steven Adler.

To call John 5 a shredder does not do him justice. There’s little he can’t put his hand to.  John 5 was born John William Lowery, on July 31st 1970, in Gross Pointe Michigan. His love of guitar began at age seven, when he began watching the Hee Haw series with his father. “I watched the guitar playing and knew that was what I wanted to do. My friends wanted to be astronauts and such but all I wanted to do was play and play and play”. Other notable influences included KISS and Jimi Hendrix.

John 5’s solo career turned out not to be a flash in the pan, and he has now released 9 studio albums, a live album and a remix album . He has worked with several special guests on those albums, including Albert Lee who called John 5 “ one of the nicest guys I’ve worked with“, Steve Vai who called John “ underrated”, Joe Satriani, Jim Root, Eric Johnson and many more. As well as his solo albums John 5 teamed up with the vocal talents of Joe Grah (formerly of Texas band Jibe) to form “radio rock project” Loser. Their first single, ‘Disposable Sunshine’ featured on the Fantastic Four soundtrack.

In 2006, John 5 was invited to join Rob Zombie for a short Ozzfest tour. Despite being told “Not to get too comfortable”, the pairing brought a resurgence in Zombie, who at the point was turning his hand to directing movies and taking a break from music, they began work on 2006’s

‘Educated Horses’. As a consequence John 5 had to make the decision to leave his fledgling band Loser. “Being the founding member of Loser, my decision to leave was not an easy one.”

In 2015, following a series of web shows to celebrate the release of his solo album ‘Careful With That Axe”, John 5 decided to take his solo set on tour, and formed The Creatures band to support his live shows. Initially joined by long-term friend Rodger Carter on drums, the band continues touring to this day, and now work as a unit on 5’s solo albums, including ‘Season Of The Witch’,the live album ‘It’s Alive’ and 2019’s ‘Invasion’. The current line-up includes John 5, Ian Ross on bass and drummer Logan Miles Nix.

Although John 5 does less “hired gun” work, he has contributed to work with Lynryd Skynrd, Meatloaf, Ricky Martin, Rod Stewart, Motley Crue and Rod Stewart. “I’m busy, constantly busy with work but I look at who I am in the studio with or sending music to and I think I don’t ever want it to stop.

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Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Headliner: Shovels & Rope

Click here for Shovels & Rope Spotify
Click here for Shovels & Rope Apple Music
Click here for Shovels & Rope Youtube
Click here for Shovels & Rope Website

One night in the middle of the night there were a series of noises coming from above which lead to a series of thoughts. It sounded like something was working. Building something.. A nest for its family? A trap for its prey? This led to more thoughts about unseen things at work. A God? A voice in your head? It all feels kind of made up until someone responds to it.Less means more. That’s kind of always how it’s been with us. This time the rules were simple: we can only use what we work with live and whatever we put down on tape must be accomplishable on a stage in a live setting. That’s always seemed to be when we’re at our best. Or most twitchy. Many times we’ve made records that we loved and then, after figuring out how we’d perform it live, we end up falling in love with the live arrangement because being a 2 piece band it took some real risk and struggle which led to innovation which gave it a whole new life. (Consider the tortured grape.) So with this one we just started there and worked backwards. The result encapsulates, more than anything we’ve done before, the sound of our live performance. Resulting in what one might consider by definition, a definitive album.

Opener: Al Olender

Al Olender's Website

Al Olender's Spotify

There’s nothing scarier than being honest with yourself. For singer/songwriter Al Olender, facing her fear of the truth has been a cleansing, often cathartic process that’s led to the kind of revelations she had previously thought unobtainable. On her debut full-length album Easy Crier, the Upstate New York based artist asks: what happens if we vow to never tell a lie, ever again? Charting the daunting territories of staring your demons right in the face and prodding at the ugly parts of your reflection, Olender pieces together her most vulnerable moments to produce a celebratory and beautiful rumination on grief, and reminds us of the power that comes in really getting to know yourself.

The catalyst for this renewed outlook stems from the sudden loss of her older brother. As a huge supporter of Olender’s musical talents from the very beginning, he would often invite his friends over and encourage a then-teenage Olender to play her “angsty love songs” for them. “Everything that I do musically revolves around my brother,” she says. “It’s like every single thing I do in my life – my brother is so much in the front of my mind.”

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General On Sale: Friday, June 7th @ 10AM

Artist Presale: Wednesday, June 5th @ 10AM

Venue Presale: Thursday, June 4th @ 10AM

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Film Screening: Lost on a Mountain in Maine - a Sponsored Event to raise awareness for the Riekes Center Digital Arts Department. 

Please join us in viewing this amazing film, based on true-life events!  The movie received a 91% audience approval rating on Rotten Tomatoes. You can read more about this at https://shorturl.at/QUnGg  

As a nonprofit, your support makes events such as these possible.  Please donate today at https://www.riekes.org/donate to help support our Digital Arts Department at the Riekes Center. Your donations will help fund student documentary film classes, financial aid for students, and so much more. Thank you!

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This screening will be fully seated and general admission throughout the entire venue.

Doors 5:30 // Show Starts at 6PM

For more information, please contact ticketing@guildtheatre.com

An evening with Pride & Joy - Holiday Show

Click Here for Pride & Joy's Webiste

During its many years of phenomenal success, Pride & Joy has remained the most popular party band on the Bay Area music scene. This group is the Pride of the Bay Area and a Joy to anyone who loves to dance. They have achieved this by presenting the most timeless pop/soul music of our time in an electrifying high-style show that pulls the audience directly into the heart of their performance.

This band can play anywhere from the most popular clubs on the circuit to wedding receptions, the top society parties and corporate events; everybody, everywhere, instantly relates to the music.

"It's always been natural for us to reach out and draw in the audience. We make the people feel they're part of the performance because they are. That's what Pride and Joy has always been about; creating a great feeling in the room. That's as important a part of our show as the work we put into our look, choreography and arrangements."

As evidence of Pride and Joy's across-the-board staying power, the band regularly sells out engagements at San Francisco's premier nightclub Bimbo's 365 Club, The Fox Theatre in Redwood City and The Mystic Theatre in Petaluma. In addition, they have played venues in Arizona, Hawaii, Nevada, Baltimore, Dallas, Denver, Houston, and engagements throughout California.

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Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

The Members Menlo Park's Legendary Cover Band Special Holiday Show

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Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

2nd Annual Grateful Holiday w/ the Terrapin Family Band & Special Guest

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For more information, please contact ticketing@guildtheatre.com

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Molly Tuttle: Home For The Holidays

Click Here for Molly Tuttle's Website

Click Here for Molly Tuttle's Spotify 

On her new album, City of Gold, Molly Tuttle, joined by her band Golden Highway, shares a batch of spellbinding stories that span time and place: wildly colorful fables populated by gold miners and fortune tellers, true-to-life tales of love and loss and a fast-changing world, and a reimagining of Alice in Wonderland set in the backwoods of Kentucky, to name just a few. The follow-up to 2022’s Crooked Tree—a widely lauded LP that won the Grammy Award for Best Bluegrass Album, with Tuttle earning a Best New Artist nomination—the Northern California-raised musician’s fourth full-length album brings those narratives to a resplendent form of bluegrass rooted in her virtuosic guitar playing. Like Crooked Tree, whose accolades also include an International Folk Music Award for Album of the Year, City of Gold, is co-produced with bluegrass legend Jerry Douglas, showcasing the extraordinary musicianship that made Tuttle the first woman ever named Guitar Player of the Year by the International Bluegrass Music Association. But this time around, the Nashville-based singer/songwriter/multi-instrumentalist chose to record with her live band for the first time—a move that lends a potent new energy to her exquisitely crafted sound. “When I was a kid we took a field trip to Coloma, California, to learn about the gold rush,” says Tuttle in revealing the inspiration behind City of Gold.

“I’ll never forget the dusty hills and the grizzled old miner who showed us the gold nugget around his neck—just like gold fever, music has always captivated me and driven me to great lengths to explore its depths.” Noting that City of Gold “celebrates the music of my heart, the land where I grew up, and the stories I heard alongthe way,” Tuttle found her band essential to every aspect of the LP. “I made this record with Golden Highway after playing over 100 shows across the country last year,” says Tuttle, whose bandmates include Bronwyn Keith-Hynes (fiddle, vocals), Dominick Leslie (mandolin), Kyle Tuttle (banjo, vocals), and Shelby Means (bass, vocals). “On this album we chart some new territory along with some old familiar ground; the songs span from Yosemite up to the Gold Country and out beyond the mountains. That visit to Coloma (site of California’s first gold strike) is where I first heard about El Dorado, the city of gold. Playing music can take you to a place that is just as precious.City of Gold, recorded at Sound Emporium in Nashville, opens on the breakneck storytelling anddizzyingly intricate arrangements of “El Dorado,” a track that took shape after Tuttle shared the story of her Coloma field trip with Old Crow Medicine Show’s Ketch Secor (her co-writer for each track on the album). “I was telling Ketch about the guide with the big gold nugget hanging from his necklace, and the whole song came together from that first line: ‘I’m Gold Rush Kate from the Golden State/With a nugget around my neck,” Tuttle recalls. While “El Dorado” abounds in larger-than-life characters, the wistful but radiant “Yosemite” finds Dave Matthews joining Tuttle for an intimate duet documenting the dissolution of a relationship. “A couple yearsago my ex-partner and I drove across the country to visit my family, then broke up in the car on the way back to Nashville,” she explains. “It was fun to write a road-trip-from-hell kind of song, and singing it with Dave Matthews was my absolute dream collaboration.” And on “Next Rodeo,” Keith-Hynes’s luminous fiddle melodies intensify the longing within Tuttle’s weary yet poetic account of life on the road (“Well, it’s 200 towns of one-night stands/Tearing up the road with a five-piece band/Some days are diamonds some days are rust/The towns of tomorrow are yesterday’s dust”).

Demonstrating Tuttle’s musical range, City of Gold encompasses everything from the sprawling roots-rock of “When My Race Is Run,” a gorgeously moody piece she describes as “a love song about death, and wanting someone to be the person there waiting for you when you cross over,” to the spooky folk of “Stranger Things,” a darkly charged reverie featuring Douglas’s masterful work on Dobro. Tuttle also showcases her beguiling vocals and lavishly detailed songwriting with such matters as marijuana legalization on “Down Home Dispensary,” a gloriously fun track spiked with unforgettable lines like “Legalize the southland and roll us a number” and gentrification’s corrosive effect on the character of once-vibrant neighborhoods on the harmony-fueled and freewheeling “Where Did All the Wild Things Go.” Throughout City of Gold, Tuttle and Golden Highway deliver the kind of high-energy and full-hearted songs primed for a joyously unified singing-along, an element that partly inspired the title to the album. “To me the words ‘City of Gold’ represent the community that the band and I have built with the people we get to play music for, and how it’s become like its own little world,” says Tuttle. “I wanted the album to celebrate that sense of community, because one of the things I love most about this music is how so much of the audience plays music as well. Theyinspire me to keep writing songs in the hopes that people will sing along and maybe play those songs with their friends—almost like we’re all a part of one great big family.”

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Doors 7pm / Show 8pm

General On Sale: Friday, October 18 @10am

Artist Presale: Wednesday, October 16 @ 10am

Venue Presale: Thursday, October 17 @ 10am

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

You Should Be Dancing (Bee Gees Tribute Band)

Bio:

There's something timeless and universally captivating about the music of the Bee Gees. Their harmonious melodies and disco-infused classics have made them one of the most beloved and enduring acts in music history. 

You Should Be Dancing is dedicated to faithfully recreating the Bee Gees' iconic sound, while elevating the onstage visual experience. With meticulous attention to detail, we capture the essence of the brothers Gibb, delivering an unbelievable experience that transports audiences back to the golden era of disco and beyond.

Get ready for a night of dancing, soaring falsettos, and some of the most beautiful ballads ever written.

What are you waiting for? YOU should be dancing! 

Venue Presale: 10/31 @ Noon PST

General Onsale: 11/1 @ Noon PST

Doors 7PM // Show 8PM

General Admission is standing room only. 

Mezzanine is fully reserved. 

For more infomation please reach out to ticketing@guildtheatre.com

Doing Good at The Guild - The California Honeydrops 

Click Here for The Honeydrops Website

Click Here for The Honeydrops IG

Click Here for The Honeydrops YouTube

Formed in the subway systems of Oakland, retro-soul outfit The California Honeydrops are an electrifying group that defy convention at every turn. They’ve become a mainstay at festivals including Byron Bay Bluesfest (Australia), Outside Lands, Monterey Jazz, Lightning In A Bottle, and touring with B.B. King, Dr. John, Bonnie Raitt, Buddy Guy, and Allen Toussaint. Led by the enigmatic and energetic frontman, Lech Wierzynski, and drummer Benjamin Malament, each member of the band is a virtuoso in their own rite — Yanos “Johnny Bones” Lustig on saxophone, Lorenzo Loera on keyboards/guitar, Beaumont Beaullieu on bass, and regularly accompanied by Oliver Tuttle on trombone, Leon Cotter on saxophone/clarinet, and Miles Lyons on trombone/sousaphone — navigating through a vast repertoire of original songs and timeless classics every night. But what truly sets them apart is their unwavering commitment to the art of improvisation – a skill so finely honed that they have completely abandoned the use of set lists and no two shows are ever the same. Off stage, their music has been streamed more than 200 million times, and placed in a variety of TV and films, including “Dead To Me,” “Alaska Daily,” “Black-ish” and more. They are currently touring North America in support of their new deluxe album, ‘Soft Spot’.

Doing Good at The Guild:

For this show, we have partnered with Conscious Alliance— a national 501(c)(3) nonprofit hunger relief organization that unifies bands, brands, artists, and fans to collectively support communities in crisis. LEARN MORE HERE

"We are more than a movement. We are an ALLIANCE—an iconic community of bands, brands, artists, and fans on a mission to awaken compassion and end hunger nationwide."

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Artist Presale: Wednesday, October 9th @ 10AM

Venue Presale: Thursday, October 10th @ 10AM

General On Sale: Friday, October 11th @ 10AM

Doors 8PM // Show 9PM

Accessible seating available throughout the entire venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

[Sounds Like] You Had to be There ’25

On January 4th, emerge into the New Years weekend with [Sounds Like] You Had to be There ’25, the first ever hybrid electronic, slowcore, and shoegaze festival to grace the Bay Area.

Arrive for the exhilaration of digitalized Toronto electroindustrial from Ada Rook.

Hail in the black metal influence within Kraus’s award winning noise anthems.

As the evening rises, New York duo Somewhere Special takes on electroclash’s endearing second life.

Chuquimamani-Condori & Joshua Chuquimia Crampton perform together as Los Thuthanaka, bridging Native American sound collage, ambient, and folk. Condori’s most recent project, the sprawling digital cumbia hallmark DJ E - was ranked as the 9th best album of the 2020’s decade by GQ.

Emoting the style of peak M83 and early Porter Robinson, acloudyskye architects a postrock bildungsroman.

High Sunn fuzzes and cranks up a wash of mosh, lucidly breezing dreamo (dream pop x screamo)

The George Clanton cosigned dnb futurist Vitesse X impresses with newfound synth serenity.

Headlining the event is the NY/Atlanta based outfit Lowertown. Launching stream of consciousness psychedelic folk in tandem with avant slowcore - their lead singer, Olivia O, just released her newest album - No Bones Sickly Sweet and closed out a tour with Sign Crushes Motorist and Drop Nineteens. This is the first show ahead of their incoming sophomore album.

Congratulations to acloudyskye, Somewhere Special, Vitesse X, and Ada Rook on their debut Bay Area performances.

For press inquiries regarding this fest: please reach zackhage@gmail.com

LINEUP:
Kraustx
Ada Rook
Somewhere Special + Simone Alysia + Bruno Zero8
Chuquimamani-Condori + Joshua Chuquimia Crampton
acloudyskye
High Sunn
Vitesse X
Lowertown + Worm Sheriff + Avsha The Awful

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Ticket Prices Timeline.

Announce: Wednesday 11/20 @ 12pm PT
Venue Presale: Thursday 11/21 @ 12pm PT - PSWD: GUILD25
General Onsale: Friday 11/22 @ 12pm PT

Early Bird: November 22nd - 29nd

Advance: November 29th - December 4th

Regular: December 4th - January 3rd

Day of Show: January 4th

General On Sale: November, 22nd @ 12PM

Doors 6PM // Show 7PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Jackopierce

Click here from Jackopierce Instagram

Click here from Jackopierce YouTube

Having just released their first studio project 'Feel This Good' in 5 years, Jackopierce is poised and ready to get back on the road full-time. Jackopierce formed in 1988 in Dallas as theater students at SMU. The duo steadily made a name for themselves, especially with two of their signature tracks, “Vineyard” and their version of the classic “Please Come to Boston.” They released ten studio albums (two for major label A&M), toured three continents, nine countries, and 45 states - amassing millions of loyal fans along the way . Over the years They have shared the stage with John Mayer, Dave Matthews Band, Matchbox20, Counting Crows, The Wallflowers, Sheryl Crow, Toad the Wet Sprocket - to name a few. After a five-year breakup, the guys reunited in 2002 to test out the waters. They were very warm and city by city, Jack & Cary got back out there to play for grateful fans that thought they would never see them again. The two now have a totally renewed creative vigor, mutual respect and deep gratitude for their fans.

These good vibes shine through on their 25th anniversary live album “Live 25.”

It’s definitely been a creative time for the duo, and celebrating the past inspires the guys to move forward in new, inventive ways. To freshen up the live show, Jackopierce started creating uniquely intimate “Destination Shows.” These shows are a whole new fan experience where people can enjoy gorgeous scenery, share delicious food & wine and have “campfire”- type access to their favorite band. It’s a vacation and concert in one. Each Destination Show provides a unique experience dedicated to the local culture: Napa/Sonoma vineyards at sunset, a ranch in Austin Hill Country, high society in Dallas, a two-mile-high a private club in Aspen, amazing history at the Biltmore in NC, a 14,000 square foot hacienda in San Miguel de Allende, MX - and the list goes on. July 27, Jackopierce will host their first 7th Destination Show in Martha’s Vineyard and they’ll be back for their fourth annual Destination Show in San Miguel in April 2020.

“We have been doing destination events for 10 years now and they have been a huge hit with our fans and have allowed us to make so many great new ones along the way,” said Cary Pierce. “I think these events continue to grow and sell out because people want more than "just a show” - they want an experience. They want to create lasting memories, explore a new place or visit an old favorite. In some cases, we're offering them a trip of a lifetime. We're finding there a lot of people that really value these experiences.”

Jackopierce has celebrated numerous career milestones including the T-Bone Burnett produced A&M debut album “Bringing on The Weather,” being a part of one of the world’s largest live events with close to 400K people in attendance at the 1997 Blockbuster RockFest at Texas Motor Speedway alongside artists No Doubt, Counting Crows, and Matchbox Twenty, performing on Conan O’Brien in 1992 with the Max Weinberg Band backing them up and sitting in the chairs on the Rosie O'Donnell Show.

“Even after 30 years I feel like we're just getting started,” said Cary Pierce.

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Doors 6PM / Show 7PM - Mezzanine is fully seated. General Admission is standing room only. Orchestra seating is fully reserved with exact seat locations. For more information please contact ticketing@guildtheatre.com

ADA: Orchestra seating is fully reserved with exact seat locations. For ADA Seating, please speak with an Usher or Guild Employee upon arrival. For more information please contact ticketing@guildtheatre.com 

For more information about the venue, please visit guildtheatre.com/faq or reach out to ticketing@guildtheatre.com

Tommy Emmanuel

Click here for Tommy Emmanuel Spotify

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Artist Presale: Wednesday, August 7th @ 10AM

Venue Presale: Wednesday, August 7, 2024 @ 10AM 

General On Sale: Friday, August 9th, 2024 @ 10AM

Doors 7PM / Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

BAND NAME: Artist Bio

Zepparella the Led Zeppelin Powerhouse

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General On Sale: 10/18 @ 12pm PT

Venue Presale: 10/17 @ 12pm PT

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Karl Denson's Tiny Universe

Click Here for KDTU Spotify 

Click Here for KDTU YoutTube

Click Here for KDTU Instagram 

KDTU has electrified audiences around the world for over 25 years from the fields of Naeba in Japan at the infamous Fuji Rock Festival to the hallowed stage of Madison Square Garden where they previously joined the Dave Matthews Band and The Godfather of Soul, James Brown. From performing as Sexual Chocolate (Karl was in the original band in the movie Coming To America and its sequel) at the Outside Lands Music festival in San Francisco, to being the first late night act at the inaugural Bonnaroo festival, KDTU have been a dominating force in music for the past 25 years.

All-night, sold-out concerts during Jazzfest in New Orleans have featured sit ins by everyone from Lenny Kravitz & Steve Winwood (with whom Karl has recorded and toured) to avant garde luminaries Marc Ribot & Boyfriend. Chuck Leavell and Bernard Fowler (Karl’s bandmates in The Rolling Stones where Karl replaced the great Bobby Keys as saxophonist in 2014) have joined onstage and on record, as have Lukas Nelson, John Oates, Michael Franti, Warren Haynes, Ivan Neville, Anders Osborne, Big Daddy Kane, Roy Hargrove, Maceo Parker, Fred Wesley, Joshua Redman, Marcus King, and Bernie Worrell, among others.

Touring the country with the Allman Brothers, My Morning Jacket, D’Angelo, The Roots, Public Enemy, Bob Weir of The Grateful Dead, Parliament Funkadelic, Slightly Stoopid, Widespread Panic, very few concert goers have been untouched by the Tiny Universe live. In addition to KDTU, Karl Denson aka “Diesel” is a founding member of the seminal groove act The Greyboy Allstars.

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Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Effie Zlich Album Release Show

Click Here for Effie Zlich's Website

Click Here for Effie Zlich's Spotify 

Click Here for Effie Zlich's Instagram

Effie Zilch is not an individual. Effie Zilch is an idea, a muse, a guiding light - it’s also a rock and roll band. Band members Steve Wyreman and Evanne Barcenas have been making music together since they were teenagers living in Northern California. Though they are children of the 90s, they entrenched themselves in the sounds of San Francisco in the 60s - everything from Jefferson Airplane to Jimi Hendrix to The Staples Singers infiltrated their stereos and young minds. Throughout their formative years, music had always been lumitive in their lives: by age 8, Evanne was given her first guitar and Steve was sneaking into his older brother's room to practice on his. While Evanne nearly gave up playing guitar after realizing she wasn’t instantly as good as Bonnie Raitt, Steve meticulously listened to Hendrix songs and learned to play them by ear. After years of honing his craft and developing unquestionable talent, Steve began working with artists like Leon Bridges, Rihanna, John Legend and Jay-Z and spent years touring with The Rolling Stones, Richard Ashcroft and Mary J. Blidge. By 2019, Steve became a Grammy-award winning songwriter for Leon Bridges’, Bet Ain't Worth the Hand (and nominated again this year for Bridges’ 2021 Gold-Diggers Sound album). Evanne took a more circuitous route, diving instead into tech and teaching jobs. Luckily for Steve, after about ten years of putting down the pen, Evanne returned to her first true and tortuous love: music.

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Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Colin Hay

Click Here for Colin Hay Spotify

Click Here for Colin Hay Website

“I’m deeply grateful for the life I have,” says Colin Hay, “and I think my natural tendency has always been towards optimism and humor. Lately, though, I’ve had to be more intentional about it. I’ve had to actively seek out the positive, to let new rays of hope shine on some seemingly dark situations.”

That’s precisely what Hay does with his extraordinary new solo album, Now And The Evermore, facing down struggle, loss, and even his own mortality with grit and wit at every turn. Written and recorded in Hay’s adopted hometown of Los Angeles, the collection is a defiantly joyful celebration of life and love, one that insists on finding silver linings and reasons to smile. That’s not to say the record deludes itself about the realities of our modern world, but rather that it consistently chooses to respond to pain with beauty and doubt with wonder.

The music on Now And The Evermore (Lazy Eye/Compass Records) is vibrant and animated, brimming with fanciful melodies, lush orchestration, and even a guest appearance from Ringo Starr, who kicks the whole thing off with a signature drum fill. Hay’s performances are likewise buoyant and full of life, drawing on vintage pop charm, pub rock muscle, and folk sincerity to forge a sound that’s at once playful and profound, clever and compassionate, whimsical and earnest. At its most basic level, Now And The Evermore offers a deeply personal acknowledgement of the relentless march of time, but zoom out and you’ll see that Hay’s contemplations of identity and eternity are in fact broader reflections on our shared humanity, on letting go of dead weight and reaching for the light no matter how dark things may get.

“It’s a troubling and confounding and ever-inspiring world that we live in,” he muses. “I’m lucky to be able to wander downstairs and try to make some sense of it, at least to myself.”

Born in Scotland, Hay moved with his family as a teenager to Australia, where he first came to international fame with seminal ’80s hitmakers Men At Work. While the band would reach the heights of stardom—they took home a GRAMMY Award for Best New Artist and sold more than 30 million records worldwide on the strength of #1 singles like “Who Can It Be Now?” and “Down Under”—by 1985, they’d called it quits and gone their separate ways. Hay released his solo debut the following year and, over the course of the next three-and-a-half decades, went on to record twelve more critically acclaimed studio albums that would help establish him as one of his generation’s most hardworking and reliable craftsmen. Rolling Stone praised his “witty, hooky pop” tunes, while NPR’s World Café lauded his “distinctive voice,” and late night hosts from David Letterman and Craig Ferguson to Jimmy Fallon and Jimmy Kimmel have all welcomed him for performances.

Over the course of his remarkable solo career, Hay developed a reputation as a gifted raconteur with serious comedy chops, and his frequent appearances at LA’s Largo club helped garner him a legion of fans in the entertainment world. Among them was actor/director Zach Braff, who called Hay’s mix of heartfelt songwriting and hilarious storytelling “one of the most amazing things I had ever seen.” Braff would go on to feature Hay’s music prominently in the GRAMMY-winning soundtrack for Garden State and invite him to appear as himself on the hit series Scrubs, which helped introduce his music to a whole new generation of listeners.

On top of his rigorous schedule as a solo artist, Hay has also managed to tour the world several times over with Ringo Starr & His All–Star Band, release an audiobook of Aesop’s Fables, star in the award-winning documentary Waiting For My Real Life, and even provide the voice for Fergus Flamingo in Disney’s The Wild.

“When the pandemic hit, I was forced to stay put for the first time in years,” Hay recalls. “It was horrendous every day to watch the news and see so many people struggling, but even so, musical ideas were creeping into my head, so I followed where they led and embraced the freedom that came with sitting still for a change.”

With no tour dates on the horizon, Hay allowed himself to slow things down and work at a different pace than he was used to. For the first time in his career, he had several uninterrupted months to work continuously with his longtime friend and collaborator Michael Georgiades, and the two began penning a series of gorgeous, thoughtful tracks that would eventually form the framework of Now And The Evermore.

“It seemed like we tapped into some kind of creative vein that just felt good,” Hay explains. “Even when I thought we had enough material for a record, I just kept writing on my own because the songs kept presenting themselves to me.”

Hay took his time in the studio, too, going in alone at first to record basic tracks and then building up the tunes up around his core vocal and guitar performances. While he enlisted a handful of collaborators—including Georgiades, Compass Records co–founder/bassist Garry West, Cuban guitarist/tres master San Miguel Perez, wife and singer/songwriter Cecilia Noël, and drummer Greg Bissonette (Ringo Starr, David Lee Roth)—Hay tackled the majority of the work on his own until it was time to bring in keyboardist and string arranger Fred Kron, who helped flesh out the music with sweeping orchestration, which was recorded and produced by West at the Compass studio in Nashville.

“Once we started to put the strings on it, that’s when it felt like everything really came together,” says Hay. “There started to be this sense of beauty and grandeur to the music, this sense of romance and possibility.”

That romance and possibility lays at the heart of Now And The Evermore, which opens with the bittersweet title track. Lilting and jaunty, the song (which features Starr on drums) makes peace with life’s transience, accepting the fate that ultimately awaits us all and committing to make the most of what little time we’ve got. “Goodbye to the life we knew / Don’t save it till the end,” Hay sings, balancing faith and fatalism in equal measure. “It could be me, it could be you / Or some old long lost friend.”

“I think this pandemic made people recognize that we won’t be around forever,” he explains. “If there’s something you want to say to someone, some love you want to express, then you should do it now because you never know when your number’s up.”

Learning to live in the present is a recurring theme on the album. The sunny “Love Is Everywhere” mixes rootsy guitars and gospel harmonies as it reminds us that there’s always joy and gratitude to be found if we’re willing to seek it out, while the soaring “Into The Bright Lights” (written by Chris Trapper) waltzes its way to cinematic heights as it refuses to surrender to darkness and despair, and the playful “Sea Of Always” tips its cap to Roy Orbison and The Beatles as it casts away the trappings and distractions that all too often drag us down. “Sold my rings / Cut the strings / And said goodbye to sorrow,” Hay sings. “Close my eyes as I fly / A different sky to follow.”

“A lot of these songs involve different ways of thinking about the unknowable,” he reflects. “I find solace in nature and I often reach for those sorts of metaphors—the sea, the sky, mountains, rivers—when I’m trying to wrap my head around it all.”

Indeed, the unknowable looms large on the record. The loss of Hay’s parents informs the mesmerizing “Starfish and Unicorns,” which wrestles with the lingering pain and loneliness that comes with the end of a complicated relationship, as well as the Celtic-tinged “All I See Is You,” which chases after a past it can never get back. The deceptively breezy melody of “Agatha Bell,” meanwhile, disguises an eerie murder ballad that raises more questions than it answers, and the bright, punchy horns of “A Man Without A Name” wraps the never-ending search for self in an air of celebration. But it’s perhaps the album closer “When Does The End Begin?” that confronts the unknowable most directly, with Hay singing, “We’re following the rising moon / When darkness falls it will be none too soon / We’re passing all the loved and lost / Don’t want to look back and count the cost.”

“I’m approaching 70 now,” he explains, “and it’s clear to me that I’m in the home stretch. I don’t feel any fear or a resignation about it, though, just an urgency to say the things I need to say and do the things I need to do.”

Who knows what happens when we die? Perhaps our consciousness lingers on long after we leave our bodies. Perhaps the curtains simply close and the show ends for good. Regardless, Now And The Evermore reminds us that we’re all alive right here, right now. For Colin Hay, that’s plenty to smile about.

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Doors 7PM / Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

BAND NAME: Artist Bio

Peninsula Bridge + Neighborhood Crime Wave

Ticket Price: $125 + tax

Peninsula Bridge and The Guild invite the community to kick off the new year and party like it’s 1989 with a fun- filled evening of live music, dancing, and connection! Proudly marking 35 years since Peninsula Bridge was founded in 1989, this event will celebrate the organization's commitment to empowering underserved students through education, with a totally awesome night of 80's music and nostalgia. Guests are encouraged to don their best 80's outfits or just bring their dancing shoes—either way, it will be rad!

Enjoy upbeat hits direct from your favorite mixtape by local cover band Neighborhood Crime Wave while connecting with friends, both old and new. Ticket proceeds from the event will benefit Peninsula Bridge, a local nonprofit dedicated to empowering highly motivated, low-income students to achieve college and career success through individualized support and transformational educational opportunities. Come cut footloose with us at this party with a purpose and help support the dreams of our community’s deserving students!

https://www.peninsulabridge.org/

Doors - 6:30PM // Show - 7:30PM

Neighborhood Crime Wave: Meet Neighborhood Crime Wave, a fun-loving, high-energy band hailing from the Peninsula and San Francisco. Since 2019, they've been rocking stages with a crowd-pleasing mix of dance hits and rock classics, spanning from today’s chart-toppers all the way back to the groovy 70s. Known for their themed parties (check out their infamous Yacht Rock shenanigans below), the band is suiting up to bring their ultimate 80s A-game to the Guild this January.

Doors 6:30PM // Show 7:30PM

All Ages Welcome

Accessible seating is available throughout the venue. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. 

Allen Stone - A Bit of Everywhere Tour

Click Here for Allen Stone's Website

Click Here for Allen Stone's YouTube

Click Here for Allen Stone's Spotify

Allen Stone, a soul/R&B luminary, has enraptured global audiences with his electrifying performances and soulful melodies, embodying the essence of classic soul legends. His genre - defying style, blending funk, gospel, folk - rock, and soul, has garnered critical acclaim and a devoted following. Stone's journey to musical stardom commenced in Chewelah, Washington, where his upbringing immersed him in gospel music as a pastor's son. Relocating to Seattle, he tirelessly toured the West Coast in his '87 Buick , swiftly gaining acclaim for his dynamic live shows, often playing up to 200 dates annually alongside luminaries such as Stevie Wonder, Al Green, Dave Matthews Band, Erykah Badu, and Gary Clark Jr. Notably, Stone recently hit the road with Chris Stapleton , further solidifying his status as a tour de force in the music industry. Alongside his prolific touring schedule, Stone has graced national television screens and mentored on ABC's American Idol, underscoring his esteemed position in the music realm. Cur rently back in the studio, Allen Stone is eagerly crafting new music slated for release in 2024

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Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

An evening with Dark Star Orchestra

Performing to critical acclaim for over 20 years and over 3000 shows, Dark Star Orchestra continues the Grateful Dead live concert experience. Their shows are built off the Dead’s extensive catalog and the talent of these seven fine musicians. On any given night, the band will perform a show based on a set list from the Grateful Dead’s 30 years of extensive touring or use their catalog to program a unique set list for the show. This allows fans both young and old to share in the experience. By recreating set lists from the past, and by developing their own sets of Dead songs, Dark Star Orchestra offers a continually evolving artistic outlet within this musical canon. Honoring both the band and the fans, Dark Star Orchestra’s members seek out the unique style and sound of each era while simultaneously offering their own informed improvisations.Dark Star Orchestra offers much more than the sound of the Grateful Dead, they truly encapsulate the energy and the experience. It’s about a sense of familiarity. It’s about a feeling that grabs listeners and takes over. It’s about that contagious energy...in short, it’s about the complete experience and consistent quality show that the fan receives when attending a Dark Star Orchestra show.

Dark Star Orchestra has performed throughout the entire United States, including a sold out debut at Colorado’s Red Rocks Park & Amphitheater, plus shows in Europe and the Caribbean with the band touching down in seven different countries. DSO continues to grow its fan base by playing at larger venues for two and even three-night stands, as well as performing at major music festivals including Bonnaroo, Milwaukee’s SummerFest, The Peach Music Festival, Jam Cruise, Wanee Festival, SweetWater 420 Festival, Mountain Jam, and many more.In addition to appearing at some of the nation’s top festival, Dark Star Orchestra hosts its own annual music festival and campaign gathering, titled the “Dark Star Jubilee”, currently in its eighth year where DSO headline all three nights and are joined by a mix of established and up and coming national touring acts. Beyond the shores of the United States, DSO has taken its internationally-acclaimed Grateful Dead tribute to the beaches of Jamaica in the dead of winter for the past six years, with their event appropriately titled ‘Jam in the Sand’. Featuring an ocean-side stage, DSO sets up camp to perform shows for four nights along the tropical sands of an all-inclusive resort, selling out the event each year for hundreds of lucky attendees.

Fans and critics haven’t been the only people caught up in the spirit of a Dark Star show. The band has featured guest performances from six original Grateful Dead members Phil Lesh, Bob Weir, Bill Kreutzmann, Donna Jean Godchaux-MacKay, Vince Welnick, Tom Constanten and even toured with longtime Dead soundman, Dan Healy. Other notable guests have included Mike Gordon and Jon Fishman of Phish, Keller Williams, Warren Haynes, Steve Kimock, Peter Rowan, Ramblin’ Jack Elliot and many more.“For us it’s a chance to recreate some of the magic that was created for us over the years,” keyboardist and vocalist Rob Barraco explains. “We offer a sort of a historical perspective at what it might have been like to go to a show in 1985, 1978 or whenever. Even for Deadheads who can say they’ve been to a hundred shows in the 90s, we offer something they never got to see live.”

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Doors 6PM // Show 7PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

The Dip

Click Here for The Dip Website

Click Here for The Dip Spotify 

Click Here for The Dip Instagram

The Dip is a Seattle-based Rhythm and Blues band that is known for its poignant songwriting, detailed arrangements, and vintage sound. Featuring a three-piece horn section, the group’s music harkens back to earlier soul and funk influences while hinting at the jazz foundations that brought the band’s members together. Along with singer and guitarist Tom Eddy, bassist Mark Hunter and drummer Jarred Katz are equally at home in a tight-pocketed groove as they are spacious free-improvisation. Trumpet player Brennan Carter joined by saxophonists Evan Smith and Levi Gillis serve as the band’s melodic counterpoint, playing off Eddy’s vocals to create a distinct sonic character that has drawn in millions of listeners to date.

‘Love Direction’, the follow-up to 2022’s ‘Sticking With It’ (which landed at #1 on the Billboard Current R&B Albums Chart) is the band’s fourth full-length studio album and second for Dualtone Records, due out 7/12/24. This new record is the sound of the band taking their next step forward. The interplay of old and new is on full display throughout the album; and, the group augments their classic sound with an expanded instrumentation throughout. Eddy says of the album’s inspiration: “As you get further along in a relationship, sometimes you lose your way. The things that came easily in the beginning get hard. The love is still there, it’s just that people and life are complicated. Sometimes you don’t have the tools in the toolbox to figure out what you need to do to support the other person, so you have to get help and ask for directions.”

Still, despite the title, this latest record isn’t a collection of straightforward love songs, but an investigation into the different angles and challenges that relationships can bring. Expanding on the album’s theme, Eddy further notes “These aren’t ‘Love Songs’ in the most obvious sense. They deal with the middle stages, the hinterlands of love and life together - figuring someone out and what they need, learning how to communicate, and examining your own faults. We set out to write music that felt more grown, a little wiser. The songs that emerged all pointed in the Love Direction.”

Their last album cycle saw the band headline and sell-out shows at iconic venues across the country. They have also had the opportunity to support new friends like Lake Street Dive and The Black Pumas, while also appearing at major festivals including Bonnaroo and Outside Lands. No strangers to the road, this new album represents a reflection on the band’s touring gravitas as well as the promise of a new destination appearing on the horizon. Directions now in hand, The Dip is looking forward to furthering this exploration into all matters of the heart by bringing this expansive and detailed new recording to life in their next travels together.

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Artist Presale (via Seated): Wednesday, November 20th @ 10AM

Venue Presale: Thursday, November 21st @ 10AM

General On Sale: Friday, November 22nd @ 10AM 

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

RYAN ADAMS: HEARTBREAKER '25 WORLD TOUR

Click Here for Ryan Adams Spotify

Click Here for Ryan Adams YouTube

Ryan Adams has been praised as "one of rock's most talented songwriters” (SPIN). The 7-time Grammy-nominated artist has 22 studio albums to his name, accumulating in millions of sales. He has produced albums for esteemed musicians including Willie Nelson, Jesse Malin, Jenny Lewis and has collaborated with some of music’s most influential artists such as Weezer, Fall Out Boy, America and many more.

Ryan’s profound contributions to music have taken many different forms. From his songwriting, to his producing, to fronting the rock/alternative country band Whiskeytown, and forming, “Ryan Adams & The Cardinals,” his ability to connect with audiences across a variety of different mediums is undeniable. Adams’ musical creativity was recognized early on and led to his NME Best Solo Artist win in both 2003 and 2004. In addition to his self-titled, double-Grammy-nominated 2014 album, Ryan’s catalog includes Heartbreaker, Ashes & Fire, Easy Tiger, Cold Roses, Jacksonville City Nights, Love Is Hell, his 2001 major label debut Gold, and more. ra-2.jpg Ryan’s artistry is not limited to his songwriting capabilities.

In 2009, he published Infinity Blues, a book of free verse poetry about his journey to self-realization, and Hello Sunshine, a collection of poems and short stories. Ryan’s passion for writing continues, and he is currently working on his first novel. His music has spanned multiple musical genres, and has been incorporated in film and television specials such as Judd Apatow’s top grossing production Bridesmaids, This is 40, popular HBO TV series’ True Blood and Felicity, and his song, ‘Stay Alive’ appeared in The Secret Life of Walter Mitty, starring Ben Stiller.

In November 2014, Ryan performed a two-night engagement at New York’s famed Carnegie Hall, which turned into a critically acclaimed live album on PAX-AM records, a label specifically for his music releases. Ryan is widely known for his powerful shows performed all over the world and regarded for his prolific songwriting. He has been praised by many music icons including Noel Gallagher, Taylor Swift and the legend Elton John, who described him as the “fabulous one.” Adams currently resides in Los Angeles, California with his five cats, typewriter, and coffee machine.

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Doors 7PM / Show 8PM

Orchestra is fully reserved and seated. Orchestra Reserved Seating.

Mezzanine is fully reserved and seated.

General Admission is standing room only.

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

RYAN ADAMS: HEARTBREAKER '25 WORLD TOUR

Click Here for Ryan Adams Spotify

Click Here for Ryan Adams YouTube

Ryan Adams has been praised as "one of rock's most talented songwriters” (SPIN). The 7-time Grammy-nominated artist has 22 studio albums to his name, accumulating in millions of sales. He has produced albums for esteemed musicians including Willie Nelson, Jesse Malin, Jenny Lewis and has collaborated with some of music’s most influential artists such as Weezer, Fall Out Boy, America and many more.

Ryan’s profound contributions to music have taken many different forms. From his songwriting, to his producing, to fronting the rock/alternative country band Whiskeytown, and forming, “Ryan Adams & The Cardinals,” his ability to connect with audiences across a variety of different mediums is undeniable. Adams’ musical creativity was recognized early on and led to his NME Best Solo Artist win in both 2003 and 2004. In addition to his self-titled, double-Grammy-nominated 2014 album, Ryan’s catalog includes Heartbreaker, Ashes & Fire, Easy Tiger, Cold Roses, Jacksonville City Nights, Love Is Hell, his 2001 major label debut Gold, and more. ra-2.jpg Ryan’s artistry is not limited to his songwriting capabilities.

In 2009, he published Infinity Blues, a book of free verse poetry about his journey to self-realization, and Hello Sunshine, a collection of poems and short stories. Ryan’s passion for writing continues, and he is currently working on his first novel. His music has spanned multiple musical genres, and has been incorporated in film and television specials such as Judd Apatow’s top grossing production Bridesmaids, This is 40, popular HBO TV series’ True Blood and Felicity, and his song, ‘Stay Alive’ appeared in The Secret Life of Walter Mitty, starring Ben Stiller.

In November 2014, Ryan performed a two-night engagement at New York’s famed Carnegie Hall, which turned into a critically acclaimed live album on PAX-AM records, a label specifically for his music releases. Ryan is widely known for his powerful shows performed all over the world and regarded for his prolific songwriting. He has been praised by many music icons including Noel Gallagher, Taylor Swift and the legend Elton John, who described him as the “fabulous one.” Adams currently resides in Los Angeles, California with his five cats, typewriter, and coffee machine.

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Doors 7PM / Show 8PM

Orchestra is fully reserved and seated. Orchestra Reserved Seating.

Mezzanine is fully reserved and seated.

General Admission is standing room only.

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.