Joanne Shaw Taylor

Click here for Joanne Shaw Taylor’s Spotify
Click here for Joanne Shaw Taylor’s Apple Music
Click here for Joanne Shaw Taylor’s Youtube
Click here for Joanne Shaw Taylor’s Website

Join Joanne Shaw Taylor and her stellar band performing songs from her critically acclaimed studio album, Nobody’s Fool, as well as songs from the upcoming new album, Heavy Soul. Her guitar skills are unmatched, while her vocals and songwriting soar to new heights as she unveils an impressive repertoire of material.  Joanne will also dig deep into her rich back catalog where she will hand-pick songs from her previous recordings and classic blues songs.

Taylor has become one of the hottest live acts on the modern Blues scene, and soon you’ll see why.Get ready for an electrifying night of pop, soul, and blues-rock with Joanne Shaw Taylor—this is a performance you won’t want to miss! Check out Joanne’s latest music video, “Heavy Soul,” at https://bit.ly/YTHeavySoul, offering a glimpse into her upcoming studio album of the same name, scheduled for release this summer.

Joanne Shaw Taylor, initially discovered by Dave Stewart of the Eurythmics at the tender age of 16, has over the years carved out an impressive niche for herself in the world of blues-rock. After witnessing her remarkable guitar playing, Stewart immediately invited her to join his supergroup, D.U.P., setting the wheels in motion for a flourishing musical career. Her prodigious talent on the guitar earned her accolades from several industry giants, including Jimmy Cliff, Joe Bonamassa, Stevie Wonder, and Annie Lennox.

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Doors 7PM / Show 8PM

Orchestra 1 & 2 is fully reserved and seated. Orchestra Reserved Seating. Mezzanine 1 & 2 is fully reserved and seated.  General Admission is standing room only. Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Roddy Radiation (of THE SPECIALS) and The Skabilly Rebels plus The Hooks

Click Here for Roddy Radiation Spotify

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Neon Velvet

VIP Access available for $75 - experience includes meet and greet starting at 6PM.

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Pink Talking Fish with The Wolfpack String & Brass Quintet 

Click here for Pink Talking Fish Wesbite

Pink Talking Fish is a Hybrid Tribute Fusion Act that takes the music from three of the world's most beloved bands and creates a special treat for fans of the music. Pink Floyd, The Talking Heads and Phish are all more than just bands...they are Phenomenons. Their creations have artistically inspired people and their mind-blowing live performances have brought people together to form a special sense of community around the love for their favorite band. Although the music from each act is different, Pink Talking Fish has discovered that fusing the material together creates an amazing story.

The epic emotion of Pink Floyd...The funky, danceable layerings of The Talking Heads... The multitude of styles, unique
compositional structures and pure fun of Phish... to merge these three into one gives music lovers a special experience. Discovering connections is part of the fun: Pink Floyd's "Shine On You Crazy Diamond" seamlessly fitting in the middle of the composition of Phish's "You Enjoy Myself". Perfectly placing Phish's "Sand" into the groove of The Talking Heads "Slippery People". Segued collections from all three acts such as Run Like Hell > Making Flippy Floppy > Piper > Run Like Hell or Mike's Song > Have A Cigar > Once In A Lifetime > Weekapaug Groove. These ideas are the spirit behind Pink Talking Fish.

The story is ever evolving. The experience is always exciting. Come join Pink Talking Fish for the ultimate fusion tribute and celebrate the love of this music in unique fashion

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General On Sale: Friday, July 19th @ noon

Venue Presale: Thursday, July 18th @ noon

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Ileana's Smile Fundraiser: Film and Performance by Brad Corrigan (of Dispatch) - Part film screening of Ileana's Smile, part performance

In 2007, founder Brad Corrigan took a life-changing trip to the La Chureca trash dump in Nicaragua, during which he witnessed countless children and families living in unimaginable and toxic conditions. But he also encountered hope and positivity when he met a young girl named Ileana, who, in spite of her circumstances, radiated warmth, compassion and laughter.

After years of making trips back to La Chureca, Brad started Love Light + Melody to be a force for good — to offer an opportunity for these children to grow and thrive through education, music, art, and sports. Over the years, the organization has built a vast global community of supporters and partners who are helping to fund our work in Nicaragua, and beyond.

Ileana’s Smile is a documentary film honoring the young girl whose lightning smile, bold courage, and beautiful heart changed our lives forever. The film is intended to increase awareness of child vulnerability, unify people around her story, and to raise funds for Ileana’s School of Hope. Our hope is that every child is able to flourish and create their own story. Join us as we fight to bring hope to those who need it most.

5-6pm: Pre-show M&G for VIP

6-7pm: Slide show on screen highlighting Nicaragua and Love Light + Melody’s Work

7-7:30pm: Live Music

7:35-8:35: Film Screening (62 mins)

8:40-9:15pm: Q+A (maybe a final song unplugged)

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Venue Presale: Thur, 10/17 @ 12pm PT

General On Sale: Fri, 10/18 @ 12pm PT

Doors 6PM / Show 7PM

Orchestra is fully reserved and seated.

Mezzanine is fully reserved and seated 

General Admission is standing room only 

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Jefferson Starship

Click Here for Jefferson Starship Website

Click Here for Jefferson Starship Spotify

Jefferson Starship is one of the most successful arena rock groups of the 1970s and 80s, earning 3 platinum and 8 gold records, as well as numerous Top 40 singles. While Jefferson Starship continues to tour today, the band has experienced numerous lineup and personnel changes, and each of those members have contributed to the magic and alchemy that make Jefferson Starship iconic.

The legend of Jefferson Starship begins in 1970, when Paul Kantner released an album titled BLOWS AGAINST THE EMPIRE under the artist name “Paul Kantner/Jefferson Starship”. The story, however, begins with the coalescence of the band Jefferson Starship itself, in 1974. That collection of talent included John Barbata, Craig Chaquico, Papa John Creach, David Freiberg, Paul Kantner, Peter Kaukonen, and Grace Slick. They first toured as Jefferson Starship in 1974, and released the album, DRAGON FLY which was certified gold in 1975. Kaukonen departed the lineup after that initial tour and the remaining members welcomed Pete Sears on bass. Shortly thereafter, Marty Balin joined the Jefferson Starship lineup. Balin had co-founded Jefferson Airplane with Paul Kantner, and the Airplane roster also included Grace Slick, David Freiberg, and Papa John Creach at various points during that band’s existence. Balin’s addition to the Jefferson Starship lineup resulted in a reunion of sorts for all those players under a new banner. The new collection of personnel returned to the studio to record RED OCTOPUS, which was released in June of 1975. The record reached #1, propelled by the success of the hit singles, Miracles and Play on Love. It has sold over two million copies. Papa John Creach quietly left the band after this whirlwind success. Jefferson Starship’s hit-making streak continued with 1976’s SPITFIRE, which featured the hit, With Your Love, and 1978’s EARTH, powered by the hits, Count on Me and Runaway.
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The band evolved again in 1979. Marty Balin and Grace Slick departed by choice, and John Barbata had to leave due to a serious car accident. Mickey Thomas stepped in on lead vocals and Aynsley Dunbar picked up the sticks. This latest incarnation of Jefferson Starship produced the band’s fifth consecutive hit record, FREEDOM AT POINT ZERO, thrust to gold status by the hit single Jane. MODERN TIMES followed in 1980, finding its way to gold certification on the wings of hit single Find Your Way Back. Grace Slick sang background on the album and returned to tour with the band in 1981. In 1982, Aynsley Dunbar left the group, and Donny Baldwin assumed drum duties. The band’s 1982 release WINDS OF CHANGE would also produce two top 40 hits, Be My Lady and Winds of Change. 1984’s NUCLEAR FURNITURE kept the band’s streak alive, planting No Way Out on the top 40 and selling over 500,000 records.

Paul Kantner left due to creative differences in 1985, and after some acrimony with the remaining band members, the name “Jefferson Starship” was retired. The remaining members of Jefferson Starship at that point morphed into “Starship” and enjoyed continued success.

In 1992, Kantner returned to touring life and revived the name “Jefferson Starship”. True to its legacy, the members have changed over time, but the heart and the magic of all those hits remain. Paul Kantner died in 2016.

The current touring Jefferson Starship lineup features founding member David Freiberg, along with legendary Jefferson Starship & Starship drummer Donny Baldwin, keyboardist Chris Smith, lead vocalist Cathy Richardson, and lead guitarist Jude Gold. ​

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Opening Act - Maryon King Duo

Orchestra Reserved - Jefferson Starship 50^th Anniversary Soundcheck Experience

. Great Ticket to the Show

. Soundcheck Experience with Jefferson Starship

. Exclusive 50^th Anniversary Poster Autographed by Jefferson Starship

. Exclusive Tote Bag

. Commemorative 50^th Anniversary Ticket

. Collectible 50^th Anniversary Lapel Pin

. Commemorative VIP Laminate 

General Admission - Jefferson Starship 50^th Anniversary Merchandise Package

. Great Ticket to the Show

. Exclusive 50^th Anniversary Poster Autographed by Jefferson Starship

. Exclusive Tote Bag

. Commemorative 50^th Anniversary Ticket

. Collectible 50^th Anniversary Lapel Pin

Doors 7PM / Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Big Head Todd & The Monsters

Click Here for Big Head Todd & The Monsters Spotify

Click Here for Big Head Todd & The Monsters Website

In this life, very few friendships withstand the test of time. Naturally, people go their separate ways and chase their own dreams. As rare as it may be for friendships to last a lifetime, it might be even rarer for a band to stick together for the long haul. For close to four decades, the members of Big Head Todd and The Monsters—Todd Park Mohr [vocals, guitar, keys, sax, harmonica], Brian Nevin [drums], Rob Squires [bass, vocals], and Jeremy Lawton [keyboards, lap pedal/steel guitar, vocals]—have continued to both throw down in the studio and light up stages worldwide. Rallying around a core vision, the platinum-selling Colorado quartet kick out the kind of blues-drenched rock ‘n’ roll bangers that make you want to rev the engine a little louder, sing along like no one’s looking, and live a little freer. 

This holds true on their 12th full-length offering, Her Way Out.

“To me, my band means four people who listen to each other, work hard, and share a goal,” Todd observes. “The goal has to do with reaching out to people, catching their ears, and sharing a story we hope they relate to. Our fans have given us an incredible 40-year career, and we hope they’ve gotten great songs and performances in return.”

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Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Kathleen Edwards (DUO)

Click here for Kathleen Edwards Spotify

For decades, Kathleen Edwards has been a cornerstone of North American roots music. 

Since making her debut with 2002's Failer, she's spent the 21st century occupying the grey area between genres, swirling together her own mix of alt-country, folk, and heartland rock & roll. It's a sound that has earned its creator more a half-dozen Juno nominations, as well as Top 40 success on both sides of the Canadian/American border. Now in her third decade as an artist, Kathleen Edwards has done more than carry the torch of songwriting heroes like Tom Petty, Neil Young, and Lucinda Williams — she's opened the door for others, too, inspiring a new generation of artists who, like her, blur the boundaries between genre and generation. 

A native of Ottawa, Ontario, Edwards was still in her early 20s when she released the critically-acclaimed Failer. The album's warm, woozy sound — crystallized on radio hits like "Six O'Clock News" — quickly turned her into one of the era's alt-country heroes. From the very start, though, Edwards' music seemed to exist somewhere out of time, resisting categorization even as Failer received a Juno nomination for "Roots & Traditional Album of the Year."

"No one knew what to call my type of music back then," she says of those early years. "The Americana genre didn't exist yet, so they couldn't categorize me. I just made the kind of music I wanted to make."

Edwards continued blazing her own trail with follow-up albums like Back to Me and Asking for Flowers. By the time Voyageur arrived in 2012, Americana very much did exist as a genre, and Edwards found herself riding a newfound commercial peak. The album reached Number 2 on the Canadian Albums Chart and Number 3 on Billboard's Folk Albums chart. Even so, a busy decade on the road had left her exhausted. After touring in support of Voyageur's release, Edwards left the music business altogether and moved to suburban Ontario, where she opened a coffee shop called — defiantly — "Quitters."

"Before I turned 30, I toured the world and put our nearly four records, performed on TV, and had an incredible run," she says of her first 10 years in the spotlight. "What's interesting is that I walked away from all of it, too — and when I came back, I felt better than the person who put out Failer."

By the late 2010s, Edwards felt recharged and revitalized. When a phone call arrived from Maren Morris, who was looking for songwriting partners for a new project, Edwards jumped at the chance to collaborate. The two musicians co-wrote "Good Woman," which appeared on Morris' Grammy-nominated album Girl in 2019. Back home in Canada, Edwards continued to write new material, eventually partnering with producer Ian Fitchuk for the album Total Freedom. Released in 2020, the album expanded her sound and her audience, boosted by two hit songs — "Options Open" and "Hard on Everyone" — that both reached the Top 30 on the Triple A chart in America. Total Freedom didn't just mark her return to the music industry. It was a rebirth, too. 

What's next? New music, of course. Edwards remains a fan of "ripping guitar riffs and good songs," and she's combining both into a follow-up album that showcases her legacy as well as her evolution. She maintains a presence on the road, too, playing her own gigs one minute and sharing shows with her heroes — including Willie Nelson, John Fogerty, and Bob Dylan — the next.

"The amount of things I've gone through might make someone else quit…but quitting doesn't quite do it for me," she says. "I can't help but want to write great songs, connect with people, and see what's ahead. I don't love looking behind, even though it's one of the ways we can see what we've done, so I'm looking forward."

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Venue Presale: Thursday, August 8th @ 10AM

General On Sale: Friday, August 9th @ 10AM

Doors 7PM / Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

BAND NAME: Artist Bio

Lucero

Click Here for Lucero Spotify

Click Here for Lucero Website

The search for one’s identity is a lifelong process that every individual must go through. Who someone is today, is not the person they were yesterday nor who they may be tomorrow. Despite those changes, there is a general idea of a defined sense of self.  No matter what happens, it is that small yet solid and grounding definition of self that continues to drive us forward in our search for identity and whatever may come with it. It would be difficult to find any artist who understands that better than the band Lucero. Since forming in Memphis in the late 90’s, Lucero’s base musical hallmarks have remained similar to the band’s initial sound established with their first record The Attic Tapes. In the his- tory of their expansive discography, Lucero has evolved and embraced everything from southern rock to Stax-inspired Memphis soul, whilst simultaneously maintaining their distinctive sonic foundations. Over 20 years later, dedicated fans of the group still flock to hear the band’s punchy driving rhythms, punk-rooted guitar licks, and lyrics that evoke the whiskey drenched sentimen- tality of Americana singer-songwriters. As expected of any band built to survive, Lucero has welcomed change over the course of their career, but it has always been on their terms. The band’s twelfth album, Should’ve Learned by Now, began its life as hardly more than some rough demos and lingering guitar parts.

These pieces that were left behind from the band’s previous albums, Among the Ghosts (2018) and When You Found Me (2021) were deemed too uptempo and capering for the prior records’ darker themes. “I had a particular sound I was looking for on each record and there was no room for any goofy rock & roll or cute witticisms or even simply upbeat songs,” said primary lyricist and frontman, Ben Nichols. “But now finally, it was time to revisit all of that stuff and get it out in the world. That’s how we got to the appropriately-for-us-titled album Should’ve Learned by Now. The album is basically about how we know we are fuckups and I guess we are ok with that.” The band, comprised of all its original members (which in addition to Ben Nichols, includes Brian Venable on guitar, Roy Berry on drums, John C. Stubblefield on bass, and Rick Steff on keys) teamed up for a third time with producer and Grammy Award-winning engineer and mixer, Matt Ross-Spang. Lucero began the recording process in Sam Phillips Recording Service before transitioning and finishing the record in Ross-Spang’s newly opened Southern Grooves Produc- tions in Memphis, TN. Ross-Spang appears to have settled in with the band’s more trademark sound whilst very much making his touch known to listeners. “He knows how to take the sounds we’re making on our own and just kind of polish them up in the right way. Or dirty it up in the right way. Whatever it takes, he just kind of does it,” says Nichols. The first track from the album “One Last F.U.” is a punchy and somewhat combative song which was one of the original remnants of Among the Ghosts.

Despite its title, “One Last F.U.” is less about standoffishness and more a self-reflection on the kind of people we are capable of be- ing in difficult situations. According to Nichols “The rest of the song was simply about wanting to be left alone while I drank at the bar. That could be taken in a kind of grumpy/antagonistic way, but I feel ok singing the song because I’ve been both characters in the song at different times. Sometimes I’m the one wanting to be left alone and sometimes I’m the drunk one blab- bing all night to someone that just wants to be left alone.” Right off the bat, Nichols’ vocals are awash in rock and roll slap-back reverb. The effect pushes Nichols' naturally upfront vocals wi- der, so they fill the space in a manner more akin to a live performance. It’s one of a few new pro- duction effects that extend throughout the record and add a new level of presence and attitude to the band’s sound. The second track, “Macon if We Make It”, was inspired by the band having to traverse through Georgia during a hurricane. When asked where the next stop on the tour was, the band responded with, “Macon, if we make it.” Continuing to be reminiscent of older works, “Macon if We Make It” has echoes of the band’s 2009 album 1372 Overton Park. The song is really driven by guitarist Brian Venable’s formidable electric guitar. The lyrics seem at first to be mostly pre- occupied with a literal storm situation at hand but turn out to be more about a troubled relation- ship back home. The proverbial dam breaks when the narrator sings “I don’t know if we were in love. I just know it wasn’t enough. Got caught in the storm and the water it’s rising...” The song gives way to a powerful drum lead up by Roy Berry and the listener is carried out, like a raft, on a ripping guitar solo.

The pushes and pulls, builds and breakdowns are all over the album’s subsequent tracks, but it isn’t all hard-edged rock and roll all the time. “She Leads Me”, is inspired somewhat by the classic tale of Orpheus and Eurydice, and delves into a softer and more nostalgic sound. With backing vocals supplied by Jesse Davis and Cory Branan, it’s a song that lyrically rests on the concept that we sometimes need to recognize and acknowledge our past for a gentle enough reas- surance to move forward. The rest of the album dives right back into its more rock and roll songs with “At the Show” and “Nothing’s Alright”, both of which examine the highs and lows of remembering old loves, reminiscing on the old days, and contented introspection. Aspects which finally come to a head in the album’s title track “Should’ve Learned by Now”, a rough and edgy song that tackles the fact that all the lessons, though clearly recognized, have yet to sink in. Quite poetically, the song is set to a tune that may be the greatest call back to Lucero’s punk upbringing. From its original Ben Nichols-designed cover art to its credits, the album is a reflection of a band that knows itself. Should’ve Learned by Now bridges the gap musically between “old Lucero” and “new Lucero” in a manner which affixes the band’s position as the perfect intersec- tion of punk initiative with hard-earned artistry. It’s an album that recognizes the past in its sound and content, but leaves the door wide open to the future and for the lessons still in store

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Artist Presale: Wednesday, July 17th @ 9AM

Venue Presale: Thursday, July 18th @ 9AM

General On Sale: Friday, July 19th @ 9AM

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Mat Kearney: Headlights Home Tour

Click here for Mat Kearney’s Spotify
Click here for Mat Kearney’s Apple Music
Click here for Mat Kearney’s Youtube
Click here for Mat Kearney’s Website

Over his career, Kearney has released five studio LPs, claimed the #1 spot on iTunes, topped multiple Billboard charts, made four entries into the Hot 100, and amassed over 2.5 BILLION global streams. Kearney, a Multi-Platinum songwriter and producer, has performed live on TODAY Show, Ellen, The Tonight Show, Letterman and Jimmy Kimmel Live! and has garnered raves from USA Today, Entertainment Weekly, People, Billboard, PARADE and Marie Claire. He also has an incredible touring history, sharing the road with everyone from John Mayer to NEEDTOBREATHE.

Opener Darren Kiely

Click here for Darren Kiely’s Spotify
Click here for Darren Kiely’s Apple Music
Click here for Darren Kiely’s Youtube
Click here for Darren Kiely’s Website

Hailing from a quaint town in Co. Cork, Ireland, Darren Kiely’s folk-infused pop sound originates from his inherited love of traditional Irish music, intertwined with modern influences such as The Lumineers, Mumford & Sons, and Noah Kahan. At just five years old, Darren learned the tin whistle, and at eight years old he picked up the fiddle, eventually teaching himself to play guitar as well. Darren began singing in 2019, quickly garnering attention for his raw and fervent vocals and emotive delivery. After winning numerous honors at a national level in Irish traditional music, Darren found his way to NYC in 2022 to continue developing his own music and sound, and soon after headed to the songwriting hub of Nashville.

Darren’s unique presentation of folk-infused pop and lush storytelling, which echoes the backdrop of the Irish countryside where he was raised, is the forefront of his debut EP, Lost, which arrived last fall. The seven-track project explores the triumphant war of overcoming self-doubt, struggling to find himself, questioning emotions and seeking answers. Lost features new track “Mom & Dad,” which debuted in the Top 40 on the Irish Singles Chart and also landed him in the Top 5 on the Irish Homegrown chart, as well as fan-favorite “Sunrise.” Kiely took his new music on the road in the fall with his headline THE ROAD HOME TOUR, where he sold out shows across his home country of Ireland. Following his headline tour, Kiely toured across Europe with the 502s. The singer is currently on his headline North American tour, THE LOST TOUR.

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Doors 7PM // Show 8PM

General Admission is standing room only. Mezzanine is fully reserved. Accessible seating is available throughout the venue. This event is for all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

ZZ Ward - The Dirty Sun Tour

ZZ Ward is back on tour! Join ZZ Ward as she takes her electrifying Dirty Sun Tour across the US this Fall. You won’t want to miss this incredible show coming to a city near you!

ZZ Ward Website

ZZ Ward Streaming Links

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Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Tainted Love

Click here for Tainted Love's website

For 2 decades TAINTED LOVE has been thrilling audiences across the country with their high-energy, over-the-top renditions from the treasure trove of pop music known as the 1980’s. Their show delivers something for every fan of music: pulsing dance beats, fist-pumping rock anthems, and guilty-pleasure sing-alongs, all performed with the highest level of musicianship and state-of-the-art sound and lighting.

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General On Sale: Friday, August 8th @ noon

Venue Presale: Thursday, August 7th @ noon

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Tainted Love

Click here for Tainted Love's website

For 2 decades TAINTED LOVE has been thrilling audiences across the country with their high-energy, over-the-top renditions from the treasure trove of pop music known as the 1980’s. Their show delivers something for every fan of music: pulsing dance beats, fist-pumping rock anthems, and guilty-pleasure sing-alongs, all performed with the highest level of musicianship and state-of-the-art sound and lighting.

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General On Sale: Friday, August 8th @ noon

Venue Presale: Thursday, August 7th @ noon

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Best of the SF Comedy Competition:

Frankie Marcos (winner. 2024 San Francisco Bay Area Comedy Competition)

Shaheen Khal (runner-up, 2024 San Francisco Bay Area Comedy Competition)

Marcus Howard (third place, 2024 San Francisco Bay Area Comedy Competition)

HOSTED BY Maureen Langan (past finalist who appeared on “America’s Got Talent” last year).

Petty Theft - San Francisco Tribute to Tom Petty and the Heartbreakers

Click Here for Petty Theft Website

Click Here for Petty Theft Youtube

At the forefront of legendary Rock and Roll bands, you are sure to find Tom Petty and The Heartbreakers. In early 2003, Petty Theft was born as a classic rock cover band, performing all around the San Francisco Bay Area to great responses and growing audiences. It became clear that this project should focus on the great music of Tom Petty and the Heartbreakers and quickly progressed to regular touring in and out of the Bay Area and out of California. Petty Theft has the same lineup of six musicians as the legendary Heartbreakers and they perform Tom Petty’s songs true to the originals, in the spirit of the Heartbreaker’s live shows.

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General On Sale: Fri, 8/30 @ 12pm PT

Venue Presale: Thur, 8/29 @ 12pm PT

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Better Than Ezra

Click here for Better Than Ezra Spotify

Click here for Better Than Ezra Website

For over 35 years, alt-rock icons Better Than Ezra have maintained a direct line to the unbridled joy of making music, endlessly dreaming up songs with an uncanny power to linger forever in the listener’s heart. Since the arrival of their breakthrough album Deluxe—a platinum-selling LP featuring their era-defining smash hit “Good”—the New Orleans-bred band’s bittersweet but quick-witted songwriting and supremely catchy sound have led to triumphs like landing on Billboard’s “100 Greatest Alternative Artists of All Time” and “100 Greatest Alternative Songs of All Time” lists, building an adoring following who call themselves Ezralites, and achieving major pop-culture milestones like getting name-checked in a classic skit on Saturday Night Live. Their first album in a decade, Super Magick ultimately sets Better Than Ezra apart from legions of legacy acts and reveals a band more enchanted than ever with the sublime alchemy of truly heartfelt rock-and-roll.

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General On Sale: Friday, August 2nd @ 10AM

Venue Presale: Thursday, August 1st @ 10AM - 10PM

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

John 5

Click Here for John 5 Website 

Click Here for John 5 Spotify 

For almost 30 years, John 5 has been one of the most in-demand guitar players on the planet. As well as a guitarist for hire, 5 has shared the stage as axe-man for Rob Zombie, Marilyn Manson and Rob Halford. He has also worked with an impressive array of names, from all walks of music, including KD Lang, Rod Stewart, Dave Lee Roth, Alice Cooper, Tina Guo and Steven Adler.

To call John 5 a shredder does not do him justice. There’s little he can’t put his hand to.  John 5 was born John William Lowery, on July 31st 1970, in Gross Pointe Michigan. His love of guitar began at age seven, when he began watching the Hee Haw series with his father. “I watched the guitar playing and knew that was what I wanted to do. My friends wanted to be astronauts and such but all I wanted to do was play and play and play”. Other notable influences included KISS and Jimi Hendrix.

John 5’s solo career turned out not to be a flash in the pan, and he has now released 9 studio albums, a live album and a remix album . He has worked with several special guests on those albums, including Albert Lee who called John 5 “ one of the nicest guys I’ve worked with“, Steve Vai who called John “ underrated”, Joe Satriani, Jim Root, Eric Johnson and many more. As well as his solo albums John 5 teamed up with the vocal talents of Joe Grah (formerly of Texas band Jibe) to form “radio rock project” Loser. Their first single, ‘Disposable Sunshine’ featured on the Fantastic Four soundtrack.

In 2006, John 5 was invited to join Rob Zombie for a short Ozzfest tour. Despite being told “Not to get too comfortable”, the pairing brought a resurgence in Zombie, who at the point was turning his hand to directing movies and taking a break from music, they began work on 2006’s

‘Educated Horses’. As a consequence John 5 had to make the decision to leave his fledgling band Loser. “Being the founding member of Loser, my decision to leave was not an easy one.”

In 2015, following a series of web shows to celebrate the release of his solo album ‘Careful With That Axe”, John 5 decided to take his solo set on tour, and formed The Creatures band to support his live shows. Initially joined by long-term friend Rodger Carter on drums, the band continues touring to this day, and now work as a unit on 5’s solo albums, including ‘Season Of The Witch’,the live album ‘It’s Alive’ and 2019’s ‘Invasion’. The current line-up includes John 5, Ian Ross on bass and drummer Logan Miles Nix.

Although John 5 does less “hired gun” work, he has contributed to work with Lynryd Skynrd, Meatloaf, Ricky Martin, Rod Stewart, Motley Crue and Rod Stewart. “I’m busy, constantly busy with work but I look at who I am in the studio with or sending music to and I think I don’t ever want it to stop.

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Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Headliner: Shovels & Rope

Click here for Shovels & Rope Spotify
Click here for Shovels & Rope Apple Music
Click here for Shovels & Rope Youtube
Click here for Shovels & Rope Website

One night in the middle of the night there were a series of noises coming from above which lead to a series of thoughts. It sounded like something was working. Building something.. A nest for its family? A trap for its prey? This led to more thoughts about unseen things at work. A God? A voice in your head? It all feels kind of made up until someone responds to it.Less means more. That’s kind of always how it’s been with us. This time the rules were simple: we can only use what we work with live and whatever we put down on tape must be accomplishable on a stage in a live setting. That’s always seemed to be when we’re at our best. Or most twitchy. Many times we’ve made records that we loved and then, after figuring out how we’d perform it live, we end up falling in love with the live arrangement because being a 2 piece band it took some real risk and struggle which led to innovation which gave it a whole new life. (Consider the tortured grape.) So with this one we just started there and worked backwards. The result encapsulates, more than anything we’ve done before, the sound of our live performance. Resulting in what one might consider by definition, a definitive album.

Opener: Al Olender

Al Olender's Website

Al Olender's Spotify

There’s nothing scarier than being honest with yourself. For singer/songwriter Al Olender, facing her fear of the truth has been a cleansing, often cathartic process that’s led to the kind of revelations she had previously thought unobtainable. On her debut full-length album Easy Crier, the Upstate New York based artist asks: what happens if we vow to never tell a lie, ever again? Charting the daunting territories of staring your demons right in the face and prodding at the ugly parts of your reflection, Olender pieces together her most vulnerable moments to produce a celebratory and beautiful rumination on grief, and reminds us of the power that comes in really getting to know yourself.

The catalyst for this renewed outlook stems from the sudden loss of her older brother. As a huge supporter of Olender’s musical talents from the very beginning, he would often invite his friends over and encourage a then-teenage Olender to play her “angsty love songs” for them. “Everything that I do musically revolves around my brother,” she says. “It’s like every single thing I do in my life – my brother is so much in the front of my mind.”

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General On Sale: Friday, June 7th @ 10AM

Artist Presale: Wednesday, June 5th @ 10AM

Venue Presale: Thursday, June 4th @ 10AM

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

General On Sale: Fri, 10/25 @ 12pm PT

Venue Presale: Thur, 10/24 @ noon PT

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Molly Tuttle: Home For The Holidays

Click Here for Molly Tuttle's Website

Click Here for Molly Tuttle's Spotify 

On her new album, City of Gold, Molly Tuttle, joined by her band Golden Highway, shares a batch of spellbinding stories that span time and place: wildly colorful fables populated by gold miners and fortune tellers, true-to-life tales of love and loss and a fast-changing world, and a reimagining of Alice in Wonderland set in the backwoods of Kentucky, to name just a few. The follow-up to 2022’s Crooked Tree—a widely lauded LP that won the Grammy Award for Best Bluegrass Album, with Tuttle earning a Best New Artist nomination—the Northern California-raised musician’s fourth full-length album brings those narratives to a resplendent form of bluegrass rooted in her virtuosic guitar playing. Like Crooked Tree, whose accolades also include an International Folk Music Award for Album of the Year, City of Gold, is co-produced with bluegrass legend Jerry Douglas, showcasing the extraordinary musicianship that made Tuttle the first woman ever named Guitar Player of the Year by the International Bluegrass Music Association. But this time around, the Nashville-based singer/songwriter/multi-instrumentalist chose to record with her live band for the first time—a move that lends a potent new energy to her exquisitely crafted sound. “When I was a kid we took a field trip to Coloma, California, to learn about the gold rush,” says Tuttle in revealing the inspiration behind City of Gold.

“I’ll never forget the dusty hills and the grizzled old miner who showed us the gold nugget around his neck—just like gold fever, music has always captivated me and driven me to great lengths to explore its depths.” Noting that City of Gold “celebrates the music of my heart, the land where I grew up, and the stories I heard alongthe way,” Tuttle found her band essential to every aspect of the LP. “I made this record with Golden Highway after playing over 100 shows across the country last year,” says Tuttle, whose bandmates include Bronwyn Keith-Hynes (fiddle, vocals), Dominick Leslie (mandolin), Kyle Tuttle (banjo, vocals), and Shelby Means (bass, vocals). “On this album we chart some new territory along with some old familiar ground; the songs span from Yosemite up to the Gold Country and out beyond the mountains. That visit to Coloma (site of California’s first gold strike) is where I first heard about El Dorado, the city of gold. Playing music can take you to a place that is just as precious.City of Gold, recorded at Sound Emporium in Nashville, opens on the breakneck storytelling anddizzyingly intricate arrangements of “El Dorado,” a track that took shape after Tuttle shared the story of her Coloma field trip with Old Crow Medicine Show’s Ketch Secor (her co-writer for each track on the album). “I was telling Ketch about the guide with the big gold nugget hanging from his necklace, and the whole song came together from that first line: ‘I’m Gold Rush Kate from the Golden State/With a nugget around my neck,” Tuttle recalls. While “El Dorado” abounds in larger-than-life characters, the wistful but radiant “Yosemite” finds Dave Matthews joining Tuttle for an intimate duet documenting the dissolution of a relationship. “A couple yearsago my ex-partner and I drove across the country to visit my family, then broke up in the car on the way back to Nashville,” she explains. “It was fun to write a road-trip-from-hell kind of song, and singing it with Dave Matthews was my absolute dream collaboration.” And on “Next Rodeo,” Keith-Hynes’s luminous fiddle melodies intensify the longing within Tuttle’s weary yet poetic account of life on the road (“Well, it’s 200 towns of one-night stands/Tearing up the road with a five-piece band/Some days are diamonds some days are rust/The towns of tomorrow are yesterday’s dust”).

Demonstrating Tuttle’s musical range, City of Gold encompasses everything from the sprawling roots-rock of “When My Race Is Run,” a gorgeously moody piece she describes as “a love song about death, and wanting someone to be the person there waiting for you when you cross over,” to the spooky folk of “Stranger Things,” a darkly charged reverie featuring Douglas’s masterful work on Dobro. Tuttle also showcases her beguiling vocals and lavishly detailed songwriting with such matters as marijuana legalization on “Down Home Dispensary,” a gloriously fun track spiked with unforgettable lines like “Legalize the southland and roll us a number” and gentrification’s corrosive effect on the character of once-vibrant neighborhoods on the harmony-fueled and freewheeling “Where Did All the Wild Things Go.” Throughout City of Gold, Tuttle and Golden Highway deliver the kind of high-energy and full-hearted songs primed for a joyously unified singing-along, an element that partly inspired the title to the album. “To me the words ‘City of Gold’ represent the community that the band and I have built with the people we get to play music for, and how it’s become like its own little world,” says Tuttle. “I wanted the album to celebrate that sense of community, because one of the things I love most about this music is how so much of the audience plays music as well. Theyinspire me to keep writing songs in the hopes that people will sing along and maybe play those songs with their friends—almost like we’re all a part of one great big family.”

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Doors 7pm / Show 8pm

General On Sale: Friday, October 18 @10am

Artist Presale: Wednesday, October 16 @ 10am

Venue Presale: Thursday, October 17 @ 10am

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

You Should Be Dancing (Bee Gees Tribute Band)

Bio:

There's something timeless and universally captivating about the music of the Bee Gees. Their harmonious melodies and disco-infused classics have made them one of the most beloved and enduring acts in music history. 

You Should Be Dancing is dedicated to faithfully recreating the Bee Gees' iconic sound, while elevating the onstage visual experience. With meticulous attention to detail, we capture the essence of the brothers Gibb, delivering an unbelievable experience that transports audiences back to the golden era of disco and beyond.

Get ready for a night of dancing, soaring falsettos, and some of the most beautiful ballads ever written.

What are you waiting for? YOU should be dancing! 

Venue Presale: 10/31 @ Noon PST

General Onsale: 11/1 @ Noon PST

Doors 7PM // Show 8PM

General Admission is standing room only. 

Mezzanine is fully reserved. 

For more infomation please reach out to ticketing@guildtheatre.com

Doing Good at The Guild - The California Honeydrops 

Click Here for The Honeydrops Website

Click Here for The Honeydrops IG

Click Here for The Honeydrops YouTube

Formed in the subway systems of Oakland, retro-soul outfit The California Honeydrops are an electrifying group that defy convention at every turn. They’ve become a mainstay at festivals including Byron Bay Bluesfest (Australia), Outside Lands, Monterey Jazz, Lightning In A Bottle, and touring with B.B. King, Dr. John, Bonnie Raitt, Buddy Guy, and Allen Toussaint. Led by the enigmatic and energetic frontman, Lech Wierzynski, and drummer Benjamin Malament, each member of the band is a virtuoso in their own rite — Yanos “Johnny Bones” Lustig on saxophone, Lorenzo Loera on keyboards/guitar, Beaumont Beaullieu on bass, and regularly accompanied by Oliver Tuttle on trombone, Leon Cotter on saxophone/clarinet, and Miles Lyons on trombone/sousaphone — navigating through a vast repertoire of original songs and timeless classics every night. But what truly sets them apart is their unwavering commitment to the art of improvisation – a skill so finely honed that they have completely abandoned the use of set lists and no two shows are ever the same. Off stage, their music has been streamed more than 200 million times, and placed in a variety of TV and films, including “Dead To Me,” “Alaska Daily,” “Black-ish” and more. They are currently touring North America in support of their new deluxe album, ‘Soft Spot’.

Doing Good at The Guild:

For this show, we have partnered with Conscious Alliance— a national 501(c)(3) nonprofit hunger relief organization that unifies bands, brands, artists, and fans to collectively support communities in crisis. LEARN MORE HERE

"We are more than a movement. We are an ALLIANCE—an iconic community of bands, brands, artists, and fans on a mission to awaken compassion and end hunger nationwide."

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Artist Presale: Wednesday, October 9th @ 10AM

Venue Presale: Thursday, October 10th @ 10AM

General On Sale: Friday, October 11th @ 10AM

Doors 7PM // Show 8PM

Accessible seating available throughout the entire venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Tommy Emmanuel

Click here for Tommy Emmanuel Spotify

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Artist Presale: Wednesday, August 7th @ 10AM

Venue Presale: Wednesday, August 7, 2024 @ 10AM 

General On Sale: Friday, August 9th, 2024 @ 10AM

Doors 7PM / Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

BAND NAME: Artist Bio

Zepparella the Led Zeppelin Powerhouse

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General On Sale: 10/18 @ 12pm PT

Venue Presale: 10/17 @ 12pm PT

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

Colin Hay

Click Here for Colin Hay Spotify

Click Here for Colin Hay Website

“I’m deeply grateful for the life I have,” says Colin Hay, “and I think my natural tendency has always been towards optimism and humor. Lately, though, I’ve had to be more intentional about it. I’ve had to actively seek out the positive, to let new rays of hope shine on some seemingly dark situations.”

That’s precisely what Hay does with his extraordinary new solo album, Now And The Evermore, facing down struggle, loss, and even his own mortality with grit and wit at every turn. Written and recorded in Hay’s adopted hometown of Los Angeles, the collection is a defiantly joyful celebration of life and love, one that insists on finding silver linings and reasons to smile. That’s not to say the record deludes itself about the realities of our modern world, but rather that it consistently chooses to respond to pain with beauty and doubt with wonder.

The music on Now And The Evermore (Lazy Eye/Compass Records) is vibrant and animated, brimming with fanciful melodies, lush orchestration, and even a guest appearance from Ringo Starr, who kicks the whole thing off with a signature drum fill. Hay’s performances are likewise buoyant and full of life, drawing on vintage pop charm, pub rock muscle, and folk sincerity to forge a sound that’s at once playful and profound, clever and compassionate, whimsical and earnest. At its most basic level, Now And The Evermore offers a deeply personal acknowledgement of the relentless march of time, but zoom out and you’ll see that Hay’s contemplations of identity and eternity are in fact broader reflections on our shared humanity, on letting go of dead weight and reaching for the light no matter how dark things may get.

“It’s a troubling and confounding and ever-inspiring world that we live in,” he muses. “I’m lucky to be able to wander downstairs and try to make some sense of it, at least to myself.”

Born in Scotland, Hay moved with his family as a teenager to Australia, where he first came to international fame with seminal ’80s hitmakers Men At Work. While the band would reach the heights of stardom—they took home a GRAMMY Award for Best New Artist and sold more than 30 million records worldwide on the strength of #1 singles like “Who Can It Be Now?” and “Down Under”—by 1985, they’d called it quits and gone their separate ways. Hay released his solo debut the following year and, over the course of the next three-and-a-half decades, went on to record twelve more critically acclaimed studio albums that would help establish him as one of his generation’s most hardworking and reliable craftsmen. Rolling Stone praised his “witty, hooky pop” tunes, while NPR’s World Café lauded his “distinctive voice,” and late night hosts from David Letterman and Craig Ferguson to Jimmy Fallon and Jimmy Kimmel have all welcomed him for performances.

Over the course of his remarkable solo career, Hay developed a reputation as a gifted raconteur with serious comedy chops, and his frequent appearances at LA’s Largo club helped garner him a legion of fans in the entertainment world. Among them was actor/director Zach Braff, who called Hay’s mix of heartfelt songwriting and hilarious storytelling “one of the most amazing things I had ever seen.” Braff would go on to feature Hay’s music prominently in the GRAMMY-winning soundtrack for Garden State and invite him to appear as himself on the hit series Scrubs, which helped introduce his music to a whole new generation of listeners.

On top of his rigorous schedule as a solo artist, Hay has also managed to tour the world several times over with Ringo Starr & His All–Star Band, release an audiobook of Aesop’s Fables, star in the award-winning documentary Waiting For My Real Life, and even provide the voice for Fergus Flamingo in Disney’s The Wild.

“When the pandemic hit, I was forced to stay put for the first time in years,” Hay recalls. “It was horrendous every day to watch the news and see so many people struggling, but even so, musical ideas were creeping into my head, so I followed where they led and embraced the freedom that came with sitting still for a change.”

With no tour dates on the horizon, Hay allowed himself to slow things down and work at a different pace than he was used to. For the first time in his career, he had several uninterrupted months to work continuously with his longtime friend and collaborator Michael Georgiades, and the two began penning a series of gorgeous, thoughtful tracks that would eventually form the framework of Now And The Evermore.

“It seemed like we tapped into some kind of creative vein that just felt good,” Hay explains. “Even when I thought we had enough material for a record, I just kept writing on my own because the songs kept presenting themselves to me.”

Hay took his time in the studio, too, going in alone at first to record basic tracks and then building up the tunes up around his core vocal and guitar performances. While he enlisted a handful of collaborators—including Georgiades, Compass Records co–founder/bassist Garry West, Cuban guitarist/tres master San Miguel Perez, wife and singer/songwriter Cecilia Noël, and drummer Greg Bissonette (Ringo Starr, David Lee Roth)—Hay tackled the majority of the work on his own until it was time to bring in keyboardist and string arranger Fred Kron, who helped flesh out the music with sweeping orchestration, which was recorded and produced by West at the Compass studio in Nashville.

“Once we started to put the strings on it, that’s when it felt like everything really came together,” says Hay. “There started to be this sense of beauty and grandeur to the music, this sense of romance and possibility.”

That romance and possibility lays at the heart of Now And The Evermore, which opens with the bittersweet title track. Lilting and jaunty, the song (which features Starr on drums) makes peace with life’s transience, accepting the fate that ultimately awaits us all and committing to make the most of what little time we’ve got. “Goodbye to the life we knew / Don’t save it till the end,” Hay sings, balancing faith and fatalism in equal measure. “It could be me, it could be you / Or some old long lost friend.”

“I think this pandemic made people recognize that we won’t be around forever,” he explains. “If there’s something you want to say to someone, some love you want to express, then you should do it now because you never know when your number’s up.”

Learning to live in the present is a recurring theme on the album. The sunny “Love Is Everywhere” mixes rootsy guitars and gospel harmonies as it reminds us that there’s always joy and gratitude to be found if we’re willing to seek it out, while the soaring “Into The Bright Lights” (written by Chris Trapper) waltzes its way to cinematic heights as it refuses to surrender to darkness and despair, and the playful “Sea Of Always” tips its cap to Roy Orbison and The Beatles as it casts away the trappings and distractions that all too often drag us down. “Sold my rings / Cut the strings / And said goodbye to sorrow,” Hay sings. “Close my eyes as I fly / A different sky to follow.”

“A lot of these songs involve different ways of thinking about the unknowable,” he reflects. “I find solace in nature and I often reach for those sorts of metaphors—the sea, the sky, mountains, rivers—when I’m trying to wrap my head around it all.”

Indeed, the unknowable looms large on the record. The loss of Hay’s parents informs the mesmerizing “Starfish and Unicorns,” which wrestles with the lingering pain and loneliness that comes with the end of a complicated relationship, as well as the Celtic-tinged “All I See Is You,” which chases after a past it can never get back. The deceptively breezy melody of “Agatha Bell,” meanwhile, disguises an eerie murder ballad that raises more questions than it answers, and the bright, punchy horns of “A Man Without A Name” wraps the never-ending search for self in an air of celebration. But it’s perhaps the album closer “When Does The End Begin?” that confronts the unknowable most directly, with Hay singing, “We’re following the rising moon / When darkness falls it will be none too soon / We’re passing all the loved and lost / Don’t want to look back and count the cost.”

“I’m approaching 70 now,” he explains, “and it’s clear to me that I’m in the home stretch. I don’t feel any fear or a resignation about it, though, just an urgency to say the things I need to say and do the things I need to do.”

Who knows what happens when we die? Perhaps our consciousness lingers on long after we leave our bodies. Perhaps the curtains simply close and the show ends for good. Regardless, Now And The Evermore reminds us that we’re all alive right here, right now. For Colin Hay, that’s plenty to smile about.

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Doors 7PM / Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

BAND NAME: Artist Bio

Allen Stone - A Bit of Everywhere Tour

Click Here for Allen Stone's Website

Click Here for Allen Stone's YouTube

Click Here for Allen Stone's Spotify

Allen Stone, a soul/R&B luminary, has enraptured global audiences with his electrifying performances and soulful melodies, embodying the essence of classic soul legends. His genre - defying style, blending funk, gospel, folk - rock, and soul, has garnered critical acclaim and a devoted following. Stone's journey to musical stardom commenced in Chewelah, Washington, where his upbringing immersed him in gospel music as a pastor's son. Relocating to Seattle, he tirelessly toured the West Coast in his '87 Buick , swiftly gaining acclaim for his dynamic live shows, often playing up to 200 dates annually alongside luminaries such as Stevie Wonder, Al Green, Dave Matthews Band, Erykah Badu, and Gary Clark Jr. Notably, Stone recently hit the road with Chris Stapleton , further solidifying his status as a tour de force in the music industry. Alongside his prolific touring schedule, Stone has graced national television screens and mentored on ABC's American Idol, underscoring his esteemed position in the music realm. Cur rently back in the studio, Allen Stone is eagerly crafting new music slated for release in 2024

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Artist Presale: Tuesday, October 8th at 12:00PM PST - Thursday, October 10th at 10:00PM PST

Venue Presale: Thursday, October 10th at 12:00PM PST - 10:00PM PST

General On Sale: Friday, October 11th at 12:00PM PST

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.

An evening with Dark Star Orchestra

Performing to critical acclaim for over 20 years and over 3000 shows, Dark Star Orchestra continues the Grateful Dead live concert experience. Their shows are built off the Dead’s extensive catalog and the talent of these seven fine musicians. On any given night, the band will perform a show based on a set list from the Grateful Dead’s 30 years of extensive touring or use their catalog to program a unique set list for the show. This allows fans both young and old to share in the experience. By recreating set lists from the past, and by developing their own sets of Dead songs, Dark Star Orchestra offers a continually evolving artistic outlet within this musical canon. Honoring both the band and the fans, Dark Star Orchestra’s members seek out the unique style and sound of each era while simultaneously offering their own informed improvisations.Dark Star Orchestra offers much more than the sound of the Grateful Dead, they truly encapsulate the energy and the experience. It’s about a sense of familiarity. It’s about a feeling that grabs listeners and takes over. It’s about that contagious energy...in short, it’s about the complete experience and consistent quality show that the fan receives when attending a Dark Star Orchestra show.

Dark Star Orchestra has performed throughout the entire United States, including a sold out debut at Colorado’s Red Rocks Park & Amphitheater, plus shows in Europe and the Caribbean with the band touching down in seven different countries. DSO continues to grow its fan base by playing at larger venues for two and even three-night stands, as well as performing at major music festivals including Bonnaroo, Milwaukee’s SummerFest, The Peach Music Festival, Jam Cruise, Wanee Festival, SweetWater 420 Festival, Mountain Jam, and many more.In addition to appearing at some of the nation’s top festival, Dark Star Orchestra hosts its own annual music festival and campaign gathering, titled the “Dark Star Jubilee”, currently in its eighth year where DSO headline all three nights and are joined by a mix of established and up and coming national touring acts. Beyond the shores of the United States, DSO has taken its internationally-acclaimed Grateful Dead tribute to the beaches of Jamaica in the dead of winter for the past six years, with their event appropriately titled ‘Jam in the Sand’. Featuring an ocean-side stage, DSO sets up camp to perform shows for four nights along the tropical sands of an all-inclusive resort, selling out the event each year for hundreds of lucky attendees.

Fans and critics haven’t been the only people caught up in the spirit of a Dark Star show. The band has featured guest performances from six original Grateful Dead members Phil Lesh, Bob Weir, Bill Kreutzmann, Donna Jean Godchaux-MacKay, Vince Welnick, Tom Constanten and even toured with longtime Dead soundman, Dan Healy. Other notable guests have included Mike Gordon and Jon Fishman of Phish, Keller Williams, Warren Haynes, Steve Kimock, Peter Rowan, Ramblin’ Jack Elliot and many more.“For us it’s a chance to recreate some of the magic that was created for us over the years,” keyboardist and vocalist Rob Barraco explains. “We offer a sort of a historical perspective at what it might have been like to go to a show in 1985, 1978 or whenever. Even for Deadheads who can say they’ve been to a hundred shows in the 90s, we offer something they never got to see live.”

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General On Sale: Friday, October 18th, 2024 

Venue Presale: Thursday, October 17th, 2024

Artist Presale: Wendesday, October 16th, 2024

Doors 7PM // Show 8PM

Accessible seating is available throughout the venue. This event is all ages. All doors & showtimes subject to change. For more information, please contact ticketing@guildtheatre.com. Ticket sales are final and non-refundable. For a sold out performance, you are able to return tickets to the waitlist. To do so, please email support@tixr.com and request your tickets be put on the waiting list.